Showing posts with label death. Show all posts
Showing posts with label death. Show all posts

Wednesday, 7 May 2014

Thoughts from the Washington Mall, Post Migraine


More than half a year ago now, I came first to this new city. My seventh capital of the world to live or study in, I think? It is strange to me, that a year ago I came with my brother on a trip, thinking perhaps he would find work here after graduation. It never occurred to me that I would come, instead. Now I walk past every day where I celebrated my birthday last year in novelty. 

How is it that a person can love so much in this world, carry so much heart for so many very different places and people? 

I am so exquisitely happy in this place. Hearing every day languages of home. Walking beneath buildings of familial architecture, stepping once more into the paths of people whom as global expatriates you know your whole life. The fashion, the art, the galas. 

But I find my heart equally close to breaking as to bursting, from sorrow as from happiness. Only the sorrow is so much more difficult to share or even visualize. It is sometimes hard to embrace the wonder of my life right now when worlds I know feel like they are on the brink of chaos. Or have already fallen into it, fighting and despair and confusion. When I am reminded of how fragile life is, when countries can implode overnight. When places which (or who, because to me they feel like people, like family) have bled into my being are bleeding again and I am far away but the blood calls. Countries to my south, countries to my east, all north to my heart. 

And then you add the single stories. The rape of every person woman man child, rape of country. The kinds of rape and violation that make you sick in public on the floor and it is nothing, your waste is nothing, to what you responded to, what is happening. Even stories outside of my countries, stories like the kidnapping of hundreds of girls, enslaved as wives (is that at best or at worst?) and taken away from education that they risked everything for. I just risk debt for my education. 

I went and toured an opera studio workshop here in DC, and one room was full of clothes, racks of shirts and dresses and pants hung and freshly laundered. Shelves of shoes, boxes of props. Clean and waiting full of promise to be stepped into and I stepped instead back into my mind, my memories; to walking through Birkenau and Auschwitz with the rooms of piles of shoes piles of hair and glasses and suitcases labeled with names of the dead. Of the people I met who survived, who walked like ghosts the streets of the cities I grew up on and stopped me to tell their story, this old story over and again. I stepped instead of into opera, the schoolhouse in the countryside of Rwanda, where I studied, where I witnessed room after room of white limed shattered limb fractured bone bodies. I think there were some 17 rooms I counted but I tried not to remember that too specifically. And then a big room there, with clotheslines every which way, draping ornamentally, awfully, bloodied torn bulleted clothes of women men and children. But I kept on touring an opera studio, which was wonderful and amazing in itself! and reveling in the fine arts instead. Instead of what? 

I think of these worlds I love. I think of how fragile ideas are and how hard we have to fight for them and sometimes against them, of how much is often sacrificed and how only sometimes we come out whole. 

I work hard in myself for these worlds I love, to let them stay together, to find a history that works for them all even when the cultures clash, even when the different histories I have imbibed and come to embody over the years are so different as to make this almost impossible. But I like to hope that if somehow one person can come to hold the world, maybe one day the world will also be able to hold itself. Maybe more of us will come to reshape our world and fit the pieces so beloved to someone, together. 

Wednesday, 1 January 2014

A Challenge of Imagination


As a temporarily unemployed professional, I have done a lot of thinking about this process of searching for work in which I find myself these days. People ask questions like, "how are you doing,"  or "what sort of work are you looking for," or make comments like, "man, it must be rough to not have a job," or "boy, I sure wish I didn't have to be working, too."

I find that being between work does indeed leave a lot to be desired--security and stability, in sum, not to mention the fact that I happen to love working and really miss it. There are times when the narrow reality of my situation presses in on me and I feel my stress rising; blood in my ears and bile in my mouth. Times when I toss and turn instead of sleep, or when my eyes fly open from a deep sleep back to this waking, unsettling insecurity. Many of those who know me probably also know that for all my adventuring, I do actually like structure in my life and I love to work. This is not an easy experience for me.

What I have come to find when I am not holding onto narrow reality or demanding impossible answers to temporally irrelevant questions, however, is that this place of searching for work is a beautiful place to be. There is always something wondrous in being lost and much of the wonder of that comes in what you find along the wandering way.

I think and talk all the time about translating culture across boundaries, about shape and place and space and being. But how often do I think or take the time to consider the possibility of translating the [non-cultural shape of] myself? Now, every day when I look at job descriptions, I think, Can I do this? Do I want to do this? What skills and experiences would I bring into this? Who are they looking for?

I left the realm of "jobs which I obviously and easily can do" behind weeks ago now, and spend time looking at jobs that I would have said were out of my circle of possibility. I think that is wonderful. Searching for work is teaching me to see myself anew every day, and not only to see myself, but to imagine and to re-imagine myself over and again.

It is like acting in a way, looking at a role and saying, do I have something within me that I can call upon and respond to the call of this character to me? Can I embody this being and be it so well that the crowds roar, that my heart soars, that the integrity of the character is satisfied?

But the fact is, it is not actually acting at all: it is a translating of myself: not an act, but a new form of being. Sure, there is this "one me" with the list of things I have done. But we are not defined--should not be defined-- by what we have or have not done. That is what traps people and creates the silent despair so many people suffer through in their daily lives. That is a form of death, I think.

It is our being which matters, and our being is expansive and ever expanding (I think when our being ceases to expand we are like the dead). Our whole, elastic being contains so much more than simply what has been done, what we have accomplished. We are not wearied check lists buried under dusty stacks on a desk.

One of my favourite historical figures (alas that now I no longer have the possibility of dining with him!) is Vaclav Havel. He wrote, in addition to many other world changing things, this incredible speech about the power of the powerless. The fact is, we all have power; we all participate in the shaping of reality. We can pull out from the realm of imagination and enact; we can expand our being and do differently--challenge ourselves and step outside of what we think is possible to discover the boundlessness of possibility and the feebleness of reality.

It is incredibly uncomfortable to push the edges of reality. I think of my childhood, trying to step into a mirror all the time to find the other world and the frustrations when it would not yield to me. Frustration, disappointment, the risk of feeling one's trappedness or smallness after all. But fear is the worst possible jailor, and I refuse to put myself in shackles. If there will be shackles in my future, they will not be because I held out my wrists meekly or shackled myself fearfully. Fear is what keeps us powerless. Fear is what keeps us going in a dead end job because we are too afraid to re-imagine ourselves in a new life, in a new world. Fear is what confines us to one possible reality. Fear is what never lands on the moon.

Imagination is not child's play in the grown up world, but maybe if we exercised it more, or if we played harder and dared longer, we could grow into it again. I do think for many people, there comes a time when we have left the imagining and re-imagining of ourselves and possibilities so long in the past that we no longer know how to do it. Perhaps we no longer know how to see ourselves at all or are afraid of what we will see when we do simply look in that mirror. Not even that should stop us, though; search out your muscle memory, try and try again.

I know that right now, far beyond the discomfort and the instability, I just love this idea that I could be and try so many different things. I am discovering jobs, lifestyles, endless universes I did not even know existed! And when I look at myself in light of those possibilities, I see there on the other side of the mirror myself, smiling back.

Exploring. Becoming anew. It is spectacularly freeing and empowering. Expanding the universe of self.

Right now we are reading in my workshop here at residency this book called 19 Translations of Wang-Wei. It is based on this one, 4000 something year old ancient Chinese poem that has been translated and retranslated throughout history. Every version of it still is itself, but new and delightful and rediscovered. I want to be that poem. I want to be fully myself, with so many facets that I sparkle like the most gorgeous diamond in the world. That some intrinsic intricate part of me resonates wherever I go and echoes still in my absence, touching and changing and challenging the world. And I cannot wait to find this next translation of myself to fully step into and develop.

I think everyone should join me in taking on and enjoying at least one of these actions this year

identify your fears and embrace at least one of them
take a long look at yourself--all of you, the whole entire beautiful wondrous and terrifying essence of your being--and then re-imagine yourself in some way

I'd add at the end of both of those, "be different," or "be re-imagined," but the fact is, I think if any of us try any of these things, that will be the result no matter how small or large that difference seems at first. We are not dead; we are gloriously alive. And since we are alive--living matter, breathing being--we can shape and reshape and expand ourselves to encompass possibilities we can (or cannot yet!) only dream about right now.

Sunday, 14 October 2012

An Inadequate Post.

I have coming up a trip I never wished to take; on Thursday I will travel to my grandmother's funeral. I cannot believe she is really gone, cannot believe that I speak of her in the past tense now. I loved my grandmother. Loved. Loved her so much.

I've never grown up around my extended family. Where my grandmother was concerned, however, this fact never mattered. She called every year on my birthday. She visited "all the time" when I lived as a child on the island. Who knows how often that really was? What mattered is that it felt like always. Since before I could even spell, we wrote letters back and forth, long missives in which I narrated all the exciting adventures of my life and she responded in kind. Thoughts, wisdom, and lots of love. When she visited, she picked me up at school, took us kids to the beach, went out for ice-cream, and played with us. She knew every boy I ever loved growing up, even when I wished she didn't!

My grandmother taught me things. She taught me to ride a bike, to learn my times-table in mathematics, to make beds beautifully (which mattered a lot in a family where hospitality happened all the time and it was fun to pretend you were a maid at a hotel!).

She taught me to love fiercely, even as she loved fiercely. I don't know anyone who loved more fiercely than she. In the last decade, I've done a lot she couldn't understand. Why would I ever want to go to some of the places I have visited or studied or worked in? Why would I sleep there or eat that or try this? How could I love it? But no matter how much my lifestyle and passions confused her, she always loved me firmly and supported me. She wanted to hear about everything. She kept a notebook with every single one of my blog-posts printed off, and maps tracking where I was or had been. She loved me no matter what.

And she invested so much! Hours over breakfasts when I was in the area--breakfasts at my favourite restaurants or else a special breakfast favourite she made for me at her house. We would talk long into the night and she would fall asleep in the big double bed in the special blue room with me, holding my hand. I think sometimes I fell asleep in the middle of a prayer. She even put up with my kicking in the bed!

She nurtured my creative spirit. Every piece of I-don't-even-know-what that I made from trash, she kept, and told me she kept. Beautiful. So interesting. Do you have more? What have you made lately?
All my drawings and paintings on her fridge, and she would write me--"so-and-so from church commented on your beautiful picture today."

She told me long stories about family history and connected me to a world of people which space and time kept me from. I learnt about genealogy and family loyalty and the price of loyalty from her. I learnt about hard work and sacrifice and so many other things from talking with her in a pick-up truck at farmers markets or in her beautiful garden or biking on back roads. So much, I cannot possibly write it out here in brief tonight.

She was strong, and I hope she passed along her strength to me.

I loved my grandmother, and I hope that I can carry not only the memory of her into the future, but that I can grow the beautiful pieces of her that live on in me long after today and yesterday and this coming Thursday.