A Challenge of Imagination

As a temporarily unemployed professional, I have done a lot of thinking about this process of searching for work in which I find myself these days. People ask questions like, "how are you doing,"  or "what sort of work are you looking for," or make comments like, "man, it must be rough to not have a job," or "boy, I sure wish I didn't have to be working, too."

I find that being between work does indeed leave a lot to be desired--security and stability, in sum, not to mention the fact that I happen to love working and really miss it. There are times when the narrow reality of my situation presses in on me and I feel my stress rising; blood in my ears and bile in my mouth. Times when I toss and turn instead of sleep, or when my eyes fly open from a deep sleep back to this waking, unsettling insecurity. Many of those who know me probably also know that for all my adventuring, I do actually like structure in my life and I love to work. This is not an easy experience for me.

What I have come to find when I am not holding onto narrow reality or demanding impossible answers to temporally irrelevant questions, however, is that this place of searching for work is a beautiful place to be. There is always something wondrous in being lost and much of the wonder of that comes in what you find along the wandering way.

I think and talk all the time about translating culture across boundaries, about shape and place and space and being. But how often do I think or take the time to consider the possibility of translating the [non-cultural shape of] myself? Now, every day when I look at job descriptions, I think, Can I do this? Do I want to do this? What skills and experiences would I bring into this? Who are they looking for?

I left the realm of "jobs which I obviously and easily can do" behind weeks ago now, and spend time looking at jobs that I would have said were out of my circle of possibility. I think that is wonderful. Searching for work is teaching me to see myself anew every day, and not only to see myself, but to imagine and to re-imagine myself over and again.

It is like acting in a way, looking at a role and saying, do I have something within me that I can call upon and respond to the call of this character to me? Can I embody this being and be it so well that the crowds roar, that my heart soars, that the integrity of the character is satisfied?

But the fact is, it is not actually acting at all: it is a translating of myself: not an act, but a new form of being. Sure, there is this "one me" with the list of things I have done. But we are not defined--should not be defined-- by what we have or have not done. That is what traps people and creates the silent despair so many people suffer through in their daily lives. That is a form of death, I think.

It is our being which matters, and our being is expansive and ever expanding (I think when our being ceases to expand we are like the dead). Our whole, elastic being contains so much more than simply what has been done, what we have accomplished. We are not wearied check lists buried under dusty stacks on a desk.

One of my favourite historical figures (alas that now I no longer have the possibility of dining with him!) is Vaclav Havel. He wrote, in addition to many other world changing things, this incredible speech about the power of the powerless. The fact is, we all have power; we all participate in the shaping of reality. We can pull out from the realm of imagination and enact; we can expand our being and do differently--challenge ourselves and step outside of what we think is possible to discover the boundlessness of possibility and the feebleness of reality.

It is incredibly uncomfortable to push the edges of reality. I think of my childhood, trying to step into a mirror all the time to find the other world and the frustrations when it would not yield to me. Frustration, disappointment, the risk of feeling one's trappedness or smallness after all. But fear is the worst possible jailor, and I refuse to put myself in shackles. If there will be shackles in my future, they will not be because I held out my wrists meekly or shackled myself fearfully. Fear is what keeps us powerless. Fear is what keeps us going in a dead end job because we are too afraid to re-imagine ourselves in a new life, in a new world. Fear is what confines us to one possible reality. Fear is what never lands on the moon.

Imagination is not child's play in the grown up world, but maybe if we exercised it more, or if we played harder and dared longer, we could grow into it again. I do think for many people, there comes a time when we have left the imagining and re-imagining of ourselves and possibilities so long in the past that we no longer know how to do it. Perhaps we no longer know how to see ourselves at all or are afraid of what we will see when we do simply look in that mirror. Not even that should stop us, though; search out your muscle memory, try and try again.

I know that right now, far beyond the discomfort and the instability, I just love this idea that I could be and try so many different things. I am discovering jobs, lifestyles, endless universes I did not even know existed! And when I look at myself in light of those possibilities, I see there on the other side of the mirror myself, smiling back.

Exploring. Becoming anew. It is spectacularly freeing and empowering. Expanding the universe of self.

Right now we are reading in my workshop here at residency this book called 19 Translations of Wang-Wei. It is based on this one, 4000 something year old ancient Chinese poem that has been translated and retranslated throughout history. Every version of it still is itself, but new and delightful and rediscovered. I want to be that poem. I want to be fully myself, with so many facets that I sparkle like the most gorgeous diamond in the world. That some intrinsic intricate part of me resonates wherever I go and echoes still in my absence, touching and changing and challenging the world. And I cannot wait to find this next translation of myself to fully step into and develop.

I think everyone should join me in taking on and enjoying at least one of these actions this year

identify your fears and embrace at least one of them
take a long look at yourself--all of you, the whole entire beautiful wondrous and terrifying essence of your being--and then re-imagine yourself in some way

I'd add at the end of both of those, "be different," or "be re-imagined," but the fact is, I think if any of us try any of these things, that will be the result no matter how small or large that difference seems at first. We are not dead; we are gloriously alive. And since we are alive--living matter, breathing being--we can shape and reshape and expand ourselves to encompass possibilities we can (or cannot yet!) only dream about right now.

Rubbing Stars

"To live without roads seemed one way

not to get lost. To make maps

of stone and grass, to rub stars together,

find a spark." 

~from "Spark," a poem by Naomi Shihab Nye

Sometimes it is in the wandering that we find ourselves in the most perfect of places. 

Just now, I am curled up on a couch in the lounge of a college in Vermont, happily tuning in and out of conversations around me; tuning in to hear discussions of publishing, of writing styles, point of view and audience. Tuning out to reflect on the day, on the last few days, on the end of last year. Last year when I came to this place of wonderfulness at the very end and after too long in transit. Tuning out to think of the next few days and the future smiling at me. 

To settle back into a small city, even if just for this period of 12 days, is beautiful. Walking everywhere--20 minutes down a slushy slide of a road to the downtown, dumptrucks loaded with snow driving past, clearing the way. On either side of the main streets quaint shops, local and proudly green or organic or handmade all. Espressos in honey-wooden rooms, crepe cafes and mad tacos and the most alice-in-wonderland sort of thrift stores. A sweater I have hunted for 8 years! Late night viewings of Les Miserables with my roommate at the old cinema by the capitol building and a taxi ride back through the night. 

Engaging in lectures on all sorts of wonderful subjects; of craft and of creation, of theories and possibilities and fascinations of all kinds. Readings that make you hold your breath, unable to breathe for the beauty of the words, of the particular arrangement of those precisely chosen words one after another in art and in meaning (and are those the same, afterall?). Losing yourself in workshops; reading and thinking and sharing--this wonderful back and forth--dialogue to take a work from what it is to even better; to impossibly better. Beautiful.

I love the new faces, the new stories, the new friendships being made. The fact that this place is obviously a community that exists across space and regardless of this particular place; the understanding so crystalline that when we leave this particular here we will still be together talking and sharing and exchanging. Pushing and encouraging each other and continuing these dialogues. Continuing this lovely engagement. To not only go out with a group of friends, of fellow students, but with professors you cannot wait to work with; have so much to glean from. 

I love that in all my wandering without roads, I am found here, in this perfect place. Ready to wander some more, ready to make maps of stone and grass and to find a spark--to make a spark. To write. 

The Intent to be Lost

"So many things seemed filled with the intent to be lost that their loss is no disaster"
~Excerpt from the poem "One Art" by Elizabeth Bishop

I was thinking a bit this morning about lostness. This week has been such a one for me, wandering circles in my mind, going nowhere, breaking down. Wondering why so many things get lost. Wishing I didn't always feel so lost, myself.

On my second breakfast of today, circling cereal absently in my bowl, I came into focus on the spoon I was using. I love this spoon. It's not gold or silver, and it isn't fancy at all, but... My older sister and I, sometime in our early childhood, were flying with our parents to the States for a visit. They had those handy take-out bags on the plane; most people called them barf bags, but we could see their true purpose. So we took our take-out bags, filled them with cookies (the flight attendants loved us, so we got lots of extra goodies from them), and then went up and down the aisle collecting cast-off treasures from other travellers. I'm not sure just when exactly our parents, seated somewhere else on the plane, discovered our entrepreneurial designs, but we did have to retire back to our seat eventually. Yet even so, when we got off the plane and offered up our treasures to our parents, they were surprised.

In addition to cookies, apples, sugar packets, towelettes, pretzels and some salt & pepper packets, we had taken several sets of silverware. Yes, real honest to goodness (not silver) silverware. They used to use those on planes, before it was just first class, before it was unsafe to have it at all. And it didn't occur to us that you were supposed to leave the silverware on the plane! So, we had this fine mini-collection of both of our sets of silverware--knives, forks, and spoons. Monogrammed with the airline's name, no less.

All these many years later, I wonder what drawers in what countries those forks and knives and spoons came to rest in, so far away from their airline home, so settled onto the earth instead of flying over it endlessly. And in fact, that airline shut down years ago. But somehow, I still have that one solitary spoon and it makes me smile every time I see it. Smile and remember two brown skinned blond haired girls going up and down the airplane aisle with barf bags. Smile and remember being told to NEVER take silverware off a plane again (though I'm pretty sure our parents probably muffled their laughter at our shocking actions). Smile and think how funny it is that such a small thing can still echo into today.

I think about that in terms of lostness. The fact is, I know that as bewildering and exhausting as the experience of lostness is, and even how frightening and overwhelming as it sometimes grows, I would rather live my whole life lost than ever walk on a road.

My youngest sister and I have a plan lying between us; our golden egg which we look forward to hatching. When she has a breath and I can get 3 months off in a row, we are going to walk from the bottom of England to the top of Scotland, and then ferry our way across the islands at the top to the highest one, to Unst. I dream of that place I have never seen. I dream of us wandering through all that land, wet and smelly and angry and perfectly wonderously content. They say that there are 3 ways you can do that trip--walk along the roads, travel from camp-site to camp-site, or wander by the stars through fields, hobbiting your way across the world. Can you guess which way we'll go?

I think of all the things I've lost through the years, the toys and the dolls, the pens and the keys and the books--so many books. The ID cards and tickets. The friends and the homes. Colours. Villages and cities and smells. Countries I love. Languages I now can only cry in.

But I think the fact is, we carry the truth of all these things with us still. I think someday, even if I am denied my freedom, denied my belongings, denied my dignity; I think even if I am cut off from my memories completely through cruelty or the naturally unnatural brokenness of the body, I think I will still be myself. And myself holds all these things, holds the image the imprint the timeless impact of all these things, of all the things which ever touch or shape us. So how can they ever be lost to us? And how can we ever truly be lost? Why should we ever despair in our feelings of lostness?

Maybe the experience of lostness is just tasting the wonderous expanse of the world that exists outside of time, and being perfectly overwhelmed. Perfectly.

A Brief Grief Journal

October has been such an exquisitely difficult month. I have felt the pain of loss keenly, reaching me from many different areas of my life. It has taken great effort to put energy into anything other than simply sitting and allowing myself to feel my way through sadness and pain to the other side of grief. Certainly I am not there yet, but I know I'm closer and that is good enough for now.

In the midst of hurt, though, I find myself thinking how fortunate I am to have things in my life that can hurt me. To have people you love so much that the loss of them is unspeakable agony--the kind that cramps your whole body up, the kind that makes you bend down over and curl up fetally, the kind that just turns you into a leaky sieve so that you start crying even in a happy moment. Funny how closely tied pain and hurt are to happiness and joy.

I think that while allowing oneself to experience grief is both good and necessary, giving yourself up to drown in it is not good. Wallowing is easy. Stasis is easy. After all, as I mentioned earlier, so much energy is spent just experiencing so much feeling at all, how do you have energy to do anything else? To move forward? And if there is one thing that I would look back at my life and say, it is that you cannot expect anyone else to pick you up when you are down. You have to choose to get up. For me, that means doing things even when I don't feel like doing them--especially things that give energy.

I derive energy from creativity, so I have taken on the project (BIG project) of painting one of the rooms in my house. Colours, primer, moving pianos and stacks of books and clothes and pictures and stuff stuff stuff. Painting. Creating. Repetitive motion.

I do derive energy from people. So don't cancel your parties, don't isolate yourself from others even when you don't feel like seeing anyone. Keep living and being and watching those around you live and be and remember how beautiful it is to love people, to love at all. If you are lonely, invite someone else who is alone. If you are hungry, make something and share it with someone, even if you don't see them, even if you are simply sending it to them.

Take conscious note of all the things you find beautiful. I was in Buffalo visiting one of my dear friends. I didn't feel social--I just felt sad. But I let myself let go and move outside of the sadness and enjoy something happy (and tasty!! mmm, Thai food.) And then, I went with her to visit an Nepali family she has gotten to know. It was so incredibly perfect, sitting on a couch somewhere in Buffalo talking about loss and exile and experiencing someone else's pain that you understand and drinking chai and knowing that life is beautiful anyway.

I've eaten sushi, picked pumpkins, receivedhugs, scheduled out things to keep doing til i'm finally starting to think a bit more spontaneously again.

Nearly a week ago now, I went to a fundraiser up there. What fun! Going on stage at Shea's--one of the biggest stages in the whole of the States! And going backstage and in the stars' dressing rooms, and underneath the stage where the trap doors are. I still have yet to shake my desire to go straight back into serious theatre. It's come in handy, though, with lots of costume parties the rest of this week. Snow White and Marilyn Monroe!

During the big "Frankenstorm" that just came around, I had a sleepover and pumpkin-carving and movie-night with another friend. Storms are one experience I hate to have alone, and it was so much fun to have a sleepover in response to my facebook post "now accepting applications for storm-sleepover-buddies" (or something like that) and to revel in good company.

What I know is that I hope November is a better month. No new losses to stagger under. No horrid storms, no deaths nor dying. To come out of this sleepwalking and back into smiles and quick laughter that just bubbles out again. To not have to work so hard at living and remembering the beautiful. Please, November--be restorative.